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I would like to invite all to participate in composition. Digital music collaboration makes this possible. Please contact me, if you are interested.



Musical space has fractal properties that are resonating in sympathetic vibration with natural space. Fractals are things you can zoom into, finding ever more complex self-similar variations. The zoom-recorder is my measurement tool for field recording of soundscapes in natural space.

Technical space provides magical devices, such as ableton. Technical space has omnipresent digital memory, but it has no concept for sound. It can understand sound only from a mathematical point of view, using the Fourier Transforms.


Composition is feeding into the omnipresent communication system of technical space. I am turning sound into dead matter, stored in technical devices, as recorded and unchangeable (dead) sound. Only as a metaphor or an invitation to participation compositions have live substance, because ‘musical substance depends on syncretism’ (Zemtsovsky, 2018).